. The full
description is explained in the
, are today being
produced to isolate and explain the specific evidence
of Jimi's "remote view" mutation.
A: EMP is an acronym for
the
Experience Music Project in
Seattle, aka the "Jimi Hendrix Museum." Because of
Rock Prophecy and this website, EMP officials realized they had to change their organization's name to try and disassociate it from the tainted Paul Alen, so in 2016 they switched their name to "The Museum of Pop Culture" or "MoPOP" as it's pretentiously called in Seattle. The $240
million structure was financed by Microsoft co-founder
Paul Allen, who, like Jimi (and Microsoft), is a native of Seattle.
While the EMP was in its planning stages, Michael
Fairchild orchestrated, over a six month period, to
have several of the world's largest and most excellent
collections of Hendrix items purchased by Mr. Allen
for the Hendrix Museum. Upon completion of the deal,
Mr. Allen, EMPeror of Seattleland, refused to pay
Michael for his work, and then he
instigated
a bogus lawsuit aimed to destroy Michael's career.
The EMPeror next used his media EMPire to halt all
reports about Michael, and the insights within
Rock
Prophecy. When the EMPeror began this
censorship effort in "1993" neither he nor anyone
realized that just a few years later the internet
would morph into the world wide web and provide a
platform for Michael to report the story. Today the
internet itself has
become rigged with censorship.
EMPeror Paul
Allen
WANTED: for
Murder of Earth
The EMPeror is the
anti-Jimi, the Murderer
of Earth who, by derailing the next official Hendrix
release in which Michael was to include
Rock
Prophecy, Mr. Allen obstructed this last
chance humanity had to survive the coming asteroid
impact.
Rock Prophecy carries the solution
to
Retarded History - a condition that's
left us defenseless against the Rock. The EMPeror
then proceeded to immitate Emperor Constantine and
condemn the heretic (Michael Fairchild), while
erecting a gaudy cathedral for Jimi in the prophet's
hometown - the Experience Music Project (EMP)
"Hendrix Museum" in Seattland - from which this new
Vatican re-writes a theology (Jimi's legacy) in
EMPeror-friendly terms, just as Constantine
redefined
the Jesus story as a means through which
peasants "accept" and forgive obscene inequality of
income between people. These creeds are myths which
attribute privilege among an elite cabal of
dominators, at the expense of the brain-trained
sheeple herd. Dominators aim to enslave sheeple and
use forced labor to build
safe
havens for billionaires, while EMPeror Allen
pays for
Space Ship One
to race him safely to the space station's luxury
condo retreat.
- James Sedgwick
Q: Where do the Jimi Hendrix
quotes on this website come from?
A: The sources for all Hendrix quotes are
listed as footnotes in the book
Rock
Prophecy.
Q: Is Rock Prophecy
about worshipping Jimi Hendrix?
A: On page 1 of
Rock Prophecy,
the first sentence in the book reads:
"We
do not worship Jimi. The Hendrix story teaches
us how destructive 'worship' can be."
This sentence is quoted from Michael Fairchild's article published
in
Straight Ahead magazine years earlier
(Aug. 1994 p. 16). The point is that for decades
I've been countering the charge that somehow we're
"worshipping" Jimi Hendrix. On the contrary, Hendrix
represents an effective means by which we see the
practice of "worship" as destructive, a syndrome to
be avoided.
The way in which one group of people worships will
distinguish them from people with other beliefs. A
woman who eats meat on Friday doesn't comply with
Vatican rules. A man who won't lay prostrate and
face Mecca disobeys Muslim customs. Dominators
fixate on such differences and care little for any
increased sense of the "mystery and wonder of the
world." Communal contemplation, and praise of the
mystery, is replaced with a rejection of outsiders.
Worship becomes
Warship.
Warship
is a verb. It is a call to demonstrate compliance
with beliefs and customs of a tribe - and battle
against those who don't conform. Outsiders are
"Other" - unlike us. The Others are excluded,
obstructed and rejected. We who conform, so the
"reasoning" goes,
deserve more than the
Others, because our warship is "better", is
correct,
God
approves of the way
we
pray, and condemns the Others. Such rituals of
submission appeal to dominators. Their religions use
warship to define lines in the sand across which
outsiders dare not tread. But Hendrix sensed that
neither worship nor warship is required by any
Creator…Jimi ignored the requirements of worship and
the rules of warship. He promoted a single belief…"
Rock Prophecy - copyright
1995, published 1999
Years after
Rock Prophecy was published,
we've heard the prominent mythologist David Talbott
echo this same insight:
"The
institutionalization of myth across history can
be a very perverse thing, the rise of Holy War
in ancient times echoes all the way into the
present time, so it is a huge subject and it's
going to be opened up…In all institutionalized
forms of religion, it is just the sad truth of
the matter that all institutional religions
today tend to carry forward mythology in ways
that are completely destructive and pit the
religions against each other. Just to take an
example, amongst all of the ancient peoples you
will have a definition of sacred space
which they identify their own locale;
this local hill, this local valley, this river.
They identify it with the land of the gods in
primeval times and once they have made that
symbolic decision to identify in that way they
have something to go to war over. This becomes
'god's place', we become the 'children of god',
the 'chosen people', the 'children of the sun',
which the Israelis considered themselves, and
always when you're viewing your culture,
your people, your city, your
nation, in these special terms, you are laying
the groundwork for Holy War. This is a
terrible thing and people don't want to hear
about this, by and large. They can see it in other
cultures and other religions, but they
have great difficulty in seeing it in their
own…There is going to be a tremendous
controversy and a great deal of anger at what is
being disclosed here as if it is threatening us,
but it is not threatening anybody."
- David
Talbott, mythologist, Coast to Coast AM
Radio, March 11, 2007
Read more about Warship
Q: Did you get your use of
the term "moguls" from the Harry Potter
books?
A: The book,
Rock
Prophecy, was copyrighted in 1995,
two
years before the first
Harry Potter
book came out in 1997. Prior to 1995, during Michael Fairchild's
years working at the official Jimi Hendrix
production company, many of his published writings
refer to "moguls." Even on this website, the
Timeline
sections written
back in
1995-1997 (pre-
Harry Potter) contain
many references to "moguls." These
Timeline
sections also appear in the published book,
Rock
Prophecy.
The point here should be obvious: Media moguls
needed to retrieve the term "moguls" away from
Rock
Prophecy and co-opt it for themselves by
training sheeple consumers to associate "moguls"
with the
establishment-APPROVED pabulum
book
Harry Potter, which the media elite
spent billions to promote and brain-train the
public to read, SPECIFICALLY in an attempt to
co-opt the term "moguls" AWAY from
Rock
Prophecy and "assign" the word to their
Harry
Potter scheme. Thus we were all witness to
the "enshrining" of J.K. Rowling as
establishment-approved Queen of the Moguls' Social
Engineering ability to train millions of consumer
sheeple to follow the lead of string puller media
magnates. The whole point is to discredit
Rock
Prophecy and lead sheeple to not read the
world's most important story, the book that most
threatens unjust moneyed moguls.
These same dominators did a similar thing with
Jimi's use of the word "Love" as the name of an
asteroid named "Electric Love." They intentionally
and systematically flooded the internet with
posters and bumper sticker pics with a fake,
bogus
"Hendrix quote" about the meaning of "Love."
And then they had President Obama outlaw the
word "retarded" with "Rosa's Law" in Oct. 2010,
specifically as a means to slur the concept of
"Retarded
History" in the 1995 book Rock Prophecy.
They've created a hostile climate in which it is
(artificially) considered "politically incorrect"
to discuss "Retarded History" on any university
campus.
There are dozenes of other
Rock Prophecy
Topics Co-Opted by the EMPeror's
DreamWorks Team - a whole Division at DreamWorks
Movie Studios is dedicated to isolating specific
issues from the book
Rock Prophecy and
then re-define them in ways that smear the book
and persuade sheeple that it is "bad" to even
discuss
Rock Prophecy in any context at
all. More evidence about this media smear effort
will be presented on this website in coming
months...