"During seven years as the paid writer
and consultant for the official Jimi Hendrix production
company, Michael Fairchild's booklets (included with over
a dozen of Jimi's most popular, highest charting CDs)
became known to several million Hendrix fans. Fairchild's
articles for national magazines, and his writings
published by HarperCollins, Warner Bros., MCA, Polydor,
and Atlantic Records, set the standard for comprehension
of Hendrix. Today Michael recites the music in a band
called the Hendrix Rockprophecy
Band. Spearheading the ultimate live
interpretation, an unforgettable experience, destined to
catch the attention of Hendrix fans everywhere. At The
Evening Star, October 16."
- Night-Life
Magazine Buffalo - October 11, 2004
Censorship & TV News :Blues with Fairchild Interview:
Named To Head Hendrix Estate Company "We Never Gave Them Jimi's Original Recordings"
Microsloth-Extorted Mass Media, Ordered to Cover It Up
Why This Video Was Censored on Youtube Exposed in New Movie in Production...
"What did you really think the ROCK in 'rock music'
means? ROCK ON, as they once said, needs to be updated -
its more like: ROCK ON THE WAY!
"It's not enough to read Michael Fairchild's website.
I've read his book. It has been RIVETING to read. I
couldn't put it down. In many many ways, its like
reading all the quiet things that I observed in everyday
life, that most people just don't take the time to
acknowledge. Its powerful, and its really the biggest
reason why the media, in MANY cases, have attempted time
and again to drown this book as it's coming up for air,
at the hands of those who care about what this author is
revealing about HUMANITY, and what Jimi's ultimate
purpose was, which got choked by those who have money to
write the history that they want, that fits their
agenda.
"It was nice to read this book and see the layers of
time and context balance the information, verses
personal conjecture in between lines of projected facts.
I appreciate all [his] brilliance to write a such a
heavily meaningful and tightly compacted-with-meaning
book that could've easily been three times longer, had
it been written like most authors write. This is a
highly compacted book, meaning jammed per paragraph (let
alone per sentence), with truth blasting from page to
page. I loved it.
"I guarantee you this much...when you read this man's
book, you will NOT be looking through the same
prescription lens you find behind your mind's eye. This
book may hit everyone differently. It hit me exactly
where I knew many things about life are at, and where
they've been prevented from going by the 'powers that
be.'
"For ANY avid listener of Jimi Hendrix, you will
understand why your creative urges (and open mindedness
that accepts the music) was leading you to a greater
understanding of what he was trying to communicate
beyond the music "scene" and the message, ultimatley,
that was larger than what that era's media was capable
of delivering.
"This book will challenge the grain of your character
to read, some of it may go against it. However, it is
EXTREMELY compelling, and if you search your heart, you
just may realize that you've been experienced all along,
well before Jimi's time here on Earth, and what he left
humanity.
"You wont be sorry you read it...I guarantee that."
- Stefen Issac
- Guitarist for The Leon Hendrix (Jimi's brother's)
Band - Leon Hendrix Band website - Nov. 11, 2005
Comet C/2011 L4 Discovered on June 5th - the
Significance:Michael Fairchild: "Comet C/2011 L4 was
discovered on June 5th, the anniversary of the Carolina
Asteroid impact into western Atlantic Ocean, the one
seen by Maya Indians that became the basis of their
calendar, and sank Atlantis, as described in the book Rock Prophecy. It also
happens to be the copyright day (June 5) for the Rock
Prophecy book.
"The significance is that the current fad about '2012'
being the END of the Mayan calendar, portending some
disaster or whatever, that fad was instigated by Paul
Allen's 'DreamWorks Team' at DreamWorks movie
studios, where media minions were ordered, after the
copyright of Rock Prophecy in 1995, to Co-Opt
Topics from that book and re-work the issues into
dominator-friendly media projects, thus the '2012'
disaster fad was foisted onto us through mogul media to
focus, not on the START of
Maya calendar, as explained in Rock Prophecy
(Click to see book Index), but on the END of the
calendar, to Co-Opt the whole 'asteroid disaster' issue
away from its Hendrix origins. Likewise the DreamWorks
Team lifted the Jimi Hendrix prediction 'asteroid
disaster' concept of Rock Prophecy (Paul Allen
is a Hendrix fanatic, spent $250 mil on Seattle's
'Hendrix Museum') and turned that idea into his DreamWorks Deep Impact
movie, starring, not Hendrix, but Hendrix-impersonator
Morgan Freeman (Freeman's career started out with
his well documented impersonations of Jimi). DreamWorks
Team was saying, 'If Rock Prophecy, our enemy
target, is claiming Hendrix as Asteroid Prophet, we'll
portray our Hendrix imitator (Morgan Freeman) as
Asteroid President Savior who ushers us to survival, as
opposed to Rock Prophecy disaster. They thus set
the stage for an African American President who changes
NASA's mandate to ASTEROIDS - and DreamWorks funded
frontman Obama's candidacy, to play the role
of Asteroid President to a public subliminally
associating black president Obama/Morgan
Freeman/Hendrix/Asteroid Savior. Thus Obama's first
State Dinner was loaded with DreamWorks officials. An
entire DreamWorks Division of
psychological social engineers plays the public
like a fiddle of subliminal opinion 'implants' - DreamWorks
= Inception (dream) implants on mass
scale (Inception is a 2010 movie about shared dreams
thought-control, starring Leonardo DiCaprio).
'DreamWorks' means they work the dreams
of a drugged public hypnotized in the image of H.I.M.M.
"The DreamWorks Team Co-Opts Topics robbed from Rock
Prophecy, the list includes dozens of high profile
media blockbusters, all of which are being re-claimed at
the rockprophecy.com website. Just a few
examples are: Wikileaks Brad Manning Entrapment Scam, DaVinci Code book, Obama's
'Rosa's Law" to ban the word 'retarded' (i.e. 'Retarded
History' from the 1995 Rock Prophecy book)...
so many more Topics Co-Opted by that whole Division at
DreamWorks dedicated to keeping the Hendrix connection
concealed while re-defining and undermining issues from
that condemned gnostic book...
"Comet C/2011 L4 is one more space rock from an
intensely dense debris field
galactic cloud enshrouding our solar system, an
onslaught Jimi saw coming. He tried to warn, and was
removed. The book that explains
remains censored and suppressed. Dozens of recent
'earthquakes' 'tsunamis' 'gas
pipe blasts' 'space junk' and 'sink holes' are really
rock impacts reported as otherwise by fraudulent mogul
media mandated to sedate the slave treadmills while trillions of siphoned
public funds from digitally rigged markets are
diverted to build subterranean bunkers for unjust
moneyed moguls."
SOTT.net: "Maybe Paul Allen is a psychopath,
but if so he's merely second string, as his book Idea
Man relates how he got punked by Bill Gates. Paul
Allen is a laughable figure. He's lost hundreds of
millions in a slew of failed endeavors. Lately he's
embarked on an attempt to terrorize the I.T. industry as
a software patent troll. He is just a dorky, clueless
money grubbing goofball with a few billion dollars to
spend."
Michael Fairchild: "Allen's profile is spun by
DreamWorks Public Relations Department advertising
publicity image spin campaigns. The 'feud' between Mr.
Allen and Bill Gates is a fake fabricated facade aimed
to divert credible belief that Gates Foundation's
control of media is fueling the suppression of Rock
Prophecy. The Foundation's influence on all media
approaches total. Most of web news sites are funded
solely on condition that Rock Prophecy be
concealed. That the book's author had a readership of
over 6 million goes unnoticed when the
EMPeror demands that gnostics be banned. Mogul
control must maintain the public's perception that
asteroid threat is remote and unlikely. The Top Demand
of Paul Allen's lawsuit against major internet
innovators (see next paragraph below)
is that access to rockprophecy.com be blocked
and all media conceal the book. Anyone who actually
accesses that site does so only because Gitmo is
littered with untold numbers of dozens and hundreds of
dissident I.T. defector slaves who risk it all to lift
the web's Iron Curtain and allow a few browsers through.
This is what's behind Wikileaks Brad Manning Entrapment
Scam - a load of 'scrubbed' gossip memos dangled in
front of the runt who is, Inception style,
pushed to revenge by so-called 'leaking' data,
conveniently given to him by an 'innocent' State Dept.
Their purpose is to 'implant' in sheeple thinking a
false public perception that the web can't be censored,
when the opposite is true. Total 'silos' of internet
quarantines isolate information down to the single
screen level. One would never suspect unless we stumble
upon the single set of forbidden connections. Zeitgeist
and Endgame etc. are only allowed to be seen
because they haven't figured out the real conspiracy
details. When one does, it is the evil Emperor Allen who
pops out as J. Wayne Gacy's Satanic Santa Claus in
disguise.
"Allen's 'lawsuit against the web' stems from
patents of his company called Interval Research -
specialists in internet wizardry formed in reaction to
the rockprophecy.com website going online in
'99. A few weeks later Interval Research was mandated
specifically to target rockprophecy.com as a
test case for Microsoft/NSA/NASA/Pentagon
supercomputers to surround and determine the extent to
which information online can be quarantined in "vertical
stovepipe silo corridors" of isolation.
Interval Research specializes in internet censorship
techniques perfected past the rigged
tyranny of AT&T.
"Bill Gates assists this by plastering media with
Allen's gossip gripe about being 'ripped off' by Mr.
Bill. It is EMPeror Paul, Idea
Man (his autobio title), who routinely steals
insights robbed from Rock Prophecy, starting
with the mid-1990's asteroid craze
- of which the above subject article is a continuance.
There are dozens of other incident examples soon to be
exposed.
"DreamWorks Team is a front company for a huge
conglomerate of mogul control global dominator
interests, culminating in the '2012' movie (2009
starring John Cusack, Danny Glover, and Woody Harrelson
as a parody of me) Noah's Ark
scenario that was posited by Rock Prophecy
back in 1995 - safe haven escape paid for with slave
labor. When Rock Prophecy was published, the
first thing DreamWorks Team Division did was immediately
have the book duplicated, they then flooded 'used books'
websites and shops with THEIR pirated counterfeit
forgery immitation copies, to undercut any sales funds
that would otherwise go to the publisher, and so they
could monitor who would buy such a book they sell online
as 'used.' It isn't possible for the publisher to prove
that all the cheap low cost 'used copies' of Rock
Prophecy for sale online come from a billionaire's
media empire counterfeit forgeries.
"And there is no 'Social Network' refuge for
web Enemies of the State. Facebook is nakedly portrayed
and hyped globally by moguls because that rigged
internet trap is their Ultimate Silo for isolating and
quarantining the EMPeror's enemies - never is any
message sent to us through The Facebook Facade allowed
to escape that black hole of mogul control, they block
all access to us on Facebook, which is a Microsoft
funded/developed site for social engineers to implant
opinions into manipulated herds. Behind-the-scenes
DreamWorks Team has perfected the same
creation-of-mass-fads used to usher their frontman
puppets into the White House/Out House. The whole
'asteroid issue' has been ethnically cleansed of its
Hendrix origins, and the only solution now is the
extinction of our species as the Cleansing Rock
approaches to Cure Earth of its dominator infestation.
Ever wonder why every asteroid movie contains scenes of
dominator government officials plotting to control the
public's awareness of impact information, and then the
inevitable 'happy ending' of family survivors? They're
ALL like that format. It's called THE NEW HAYS CODE -
global mogul control DreamWorks Team media conglomerates
have FORBIDDEN any portrayal of species extinction from
rock impact. And their top priority is to prevent
the Hendrix connection from 'infecting' perceptions
for any life forms to evolve from or visit our ruins
in future. Paul Allen and his cronies seek to 'leave
behind' the lie that they are innocent of causing
the extinction. By confiscating resources
for the private use of unjust moneyed moguls, used to
pay for the media suppression of Hendrix's message by
blacklisting Rock Prophecy, they've prevented
our defense. Rock Prophecy was to be an official
release by the Jimi Hendrix production company in the
mid '90s. Information in that condemned text would
have been acted on by enough people to alter a series
of decisions leading to effective asteroid defense.
That last window of opportunity was slammed shut by
Paul Allen's evil bullying, paying millions to keep Rock
Prophecy concealed. Near two decades later, we
today have no time left to errect any defense or
influence any decision that can stop the Rock or
prevent billions of deaths. That evil beast,
Microsoft Sloth of Seattle, has slain all babies and
Murdered Earth. Goof-humor consumer stupors parrot his
media circus trainers to ridicule and dismiss Jimi's
vision. These Titanic passengers don't matter. Already
dead, they wait merely for the coroner's formality of
burial beneath the rock pile rubble of a coming asteroid
smashed planet. May a cured Earth recover from disease
in people-free peace.
"Castles made
of sand slip into the sea, eventually...and you'll
never hear surf music again..." - Jimi
"Remember the Sanhedrin's urgency to see that the
corpse of Jesus never leaves the tomb - because 'then it
all begins' - the story of what happened thus becomes
religion to the rebelling serfs, so whole EMPires were
brought in to whitewash the re-written fable in
EMPeror-friendly terms, keep the peasants repentant in
their accepted humble holes. Likewise the removal of
Jimi and persecution of Rock Prophecy. Moguls
seek to censor and suppress my book because it's an
indictment of their evil scheme to save themselves at
the expense of us all. They need to keep-that-Jesus in
his tomb this time and hide their dirty work behind an
obstructing rock that never gets rolled away. That's
their trophy triumph of forever censorship centered on Rock
Prophecy. But they won't get away with it, Child,
'cuz the Deity intervenes on our behalf
and washes away what Jimi calls their 'Castles Made
of Sand'...
"As Hendrix said, 'Electric Love
penetrates the sky, the Mountain Falls in the Sea,
the Sun refuses to shine, the story of the asteroid
belt in our solar system is explained, NO ONE on
Earth will escape, just let the pretentious people
stay in their pretentious bag.' - Jimi Hendrix
"rockprophecy.com has barely just begun to
expose these evil beasts via mountains of collected
evidence..."
Michael Fairchild
- SOTT.net,
June 17, 2011
Hendrix and the Asteroid Movie Boom of the Late
'90s: Michael Fairchild Explains the Connection...
While we were researching asteroid movies for Monday's
[June 27, 2011] honorary tribute to Earth's near
collision with an oncoming asteroid [Asteroid 2011 MD],
one thing was pretty apparent: In the late '90s there
were a relative shit-ton of
asteroid/meteorite/comet/basic
space-junk-getting-hurled-at-Earth movies. Turns out,
Michael Fairchild, author of Rock Prophecy,
Hendrix researcher for the Experience Music Project in
Seattle and author of liner notes for many of Hendrix's
CDs, already noticed Hollywood's obsession with space
rocks and had an inkling why this occurrence took place
-- and it all links back to Jimi Hendrix, Paul Allen and
Microsoft. Also, it's pretty weird. The theory is pretty
complex, so here's a basic outline:
Michael Fairchild was hired to work on a movie about
Hendrix, which was set to come out in the mid-nineties.
He was also working with the Experience Music Project
Museum in Seattle, putting together research. During his
research, he found a theory written by Hendrix that
predicted the end of Earth as we know it, the result of
an asteroid collision.
Fairchild sent the transcript of his book, about
Hendrix's fascination with asteroids and his prophetic
theories, to the Library of Congress right before
Fairchild lost his directorial status in the film and
his work fell through on the project at the museum when
Paul Allen funded a lawsuit filed by Al Hendrix, Jimi
Hendrix's father, to break the contract with the company
Fairchild worked with and instead signed a contract with
him.
Paul Allen, who is the co-founder of Microsoft with
Bill Gates, got a hold of Fairchild's manuscript during
the process of settling the lawsuit. He was connected
with DreamWorks, and consequently gave money to the
production of Asteroid, Deep Impact and
Armageddon just six months later.
Some people attribute the spike in asteroid movies to
a response in public interest in the 1994 occurrence of
an asteroid hitting Jupiter, Fairchild writes on his
website, but those people are wrong: The asteroid movie
craze was in direct response to the theories posited by
Hendrix in his unpublished work, which were essentially
stolen and manipulated by Paul Allen and Microsoft,
according to Fairchild. In case you're still a bit
confused (I am), here's some answers from the man behind
the theory, Michael Fairchild:
Westword: Why would Paul Allen, Microsoft, and
Hollywood be so interested in making Asteroid films?
Michael Fairchild:
From reading Rock Prophecy in 1995, these moguls
recognized The Hendrix Event as miraculous
intervention into evolutionary history,
previewing our planet's passage through intensely dense
debris fields of asteroids, a galactic cloud enshrouding
our solar system, pummeling Earth, pushed here by the Great Gamma Blast that arrived
at Christmas 2004, seen coming by Jimi and causing the
Indian Ocean asteroid-splash tsunami.
Westword: Do you believe the films have a
purpose other than entertainment?
Michael Fairchild: "With such productions and
reports, Media of Moguls controls public perception of
threat levels, they keep sheeple asleep on worker
treadmills, siphoning off trillions from global markets
with digitally rigged
'meltdowns' arranged to funnel slush funds into a
new 'Noah's Ark' project, building subterranean shelter
cites for the 'rich' and Space Station condos. Producers
of those movies are urgently concerned that the Hendrix
connection be ethnically cleansed away from association
with asteroids. They need to deny and hide our lack of
defense, unprepared reality, millennia of set-backs
among humans, the 'Retarding
of History' insight left suppressed, a perception
unsaid in the annals of official dominator canons and
explanations. Jimi's prediction is the pigskin in this
football game. All asteroid movies after 1995 are
written in reaction to Rock Prophecy.
Westword: Did you see Armageddon or Deep
Impact? What did you think of these movies?
Michael Fairchild: "Both are 'rebuttals' to
the 1995 Rock Prophecy
manuscript that Paul Allen's 'DreamWorks Team' was
hired to dissect, and refute what the book reveals. An
entire Division at DreamWorks Studios is dedicated to Co-Opt Rock
Prophecy topics and re-define/undermine
issues in that book, while censoring any mention of it.
Moguls use their mass media empire to 'treat' the themes
seen in Rock Prophecy. There are dozens of
examples. Multiple movie studios are used in this ruse.
The main statement they made with those '90s space rock
films is 'safety' - through those stories we fantasize
that NASA or some other agency has capacity to save us
from impact disaster. That's false and it's the opposite
of Jimi's vision."
Westword: So, um, there you have it. Not even
Bruce Willis can save us now.
- Denver Westword,
June 29, 2011
After the article above was published by Westword,
I posted additional clarifications to it online:Michael Fairchild: "This Westword
article is timely (June 29, 2011), given the passing of
Asteroid 2011 MD (MD = Mass Destruction? Mass Delusion?)
on Monday (June 27, 2011). That asteroid came within
7500 miles of Earth, extremely close.
"In the '90s I was employed by the official Hendrix
production company, Are You Experienced? Ltd. Paul Allen
targeted that company with bogus litigation because I
was to be the company's next Creative Director for
Jimi's estate. The next project was to be Rock
Prophecy. Paul Allen spent over $5 million to stop
that (pocket change to him).
"This article appeared on June 29, the anniversary of
Jimi's fabulous concert at the Denver Pop Festival on
June 29, 1969. The soundtrack audio is on Youtube, and
my website shows 2 great
film videos of Jimi in Denver - his LAST ever gig
with the original Experience band. The video
starts with scenes of tear gas exploding in the arena as
a riot breaks out during Jimi's last Experience
show. People with him at the time report how they were
all on a great acid trip, but the JHE band was trapped
in a van, trying to exit Mile High Stadium with rioters
rocking the vehicle as they wade through mayhem.
"This 'June 29th date' is one coincidence,
another is the use of the term 'miraculous
intervention' in my Q&A answers above (I wrote
that last night). At 9:59 pm (EST) tonight ABC TV used
that term. On-screen text spelled out 'Miraculous
Intervention' to advertise their show about
'Twintuition' - Extra Sensory Perception (E.S.P.), an
issue at the center of Jimi's remote view prediction of
asteroid impact.
"When Hendrix said in 1969 'I see miracles every
day now' he referred to the continuing onrush of
improbable coincidences that really do mark his story. I
keep a record of the continuing pre-cognition of
incidents I envision prior to their actual happening.
This reality brings into question our notions of
space/time and place in the Creation. Extra Sensory
Perception is what possessed Hendrix to an extreme
degree. That those who study him discover this 'hidden'
reality opens the door to relentless persecution from
dominators like Paul Allen who are determined to erase
all evidence of remote view capability. Thus they
produce movies like Men Who Stare At Goats (2010
with George Clooney) to train us to regard E.S.P. as the
province of delusional flakes. But for those of us (like
Jimi) who undergo spontaneous precognition on a regular
basis, these dominator detractors seem like the Savages
of the First Century that they really are.
"It's a pity Jimi had to live among them, and die by
them."
Michael Fairchild
- Denver Westword,
June 29, 2011
RAI TV - Italy: Michael Fairchild is a
musician and follower of the life and works of Jimi
Hendrix and has directed the production company of the
Hendrix estate for 7 years. Through dozens of
interviews, and detailed documentation, he has tried to
reconstruct Hendrix's death, as he exclusively explained
to us when we met him in Rochester, in the state of New
York:
Michael Fairchild: "The real question is why
is Hendrix's death important? Fans prefer to
believe that his death was an accident, or the
possibility of him being murdered
by his manager, so they can make everything fit,
so no mysteries exist. Actually, the hypothesis of
murder by his manager is possible, but there is no
evidence. There is proof for nothing. There are some
plausible scenarios, but, like the assassination of John
Kennedy, there are a series of clues in conflict with
each other. It's necessary to use intuition to try and
solve the mystery. One thing is certain: there are
problems with all of the people that are caught up in
this case. We'll never know the truth, Monika Dannemann
(German girlfriend staying with Jimi when he died), her
statements are very confused. I don't exclude a scenario
where she left the Samarkand flat and when she returned
she found him dead. On that night the two had a fight
and Monika was likely the one to slip him sedatives, she
didn't want him to leave after arguing.
"In the spring of 1996, after having spent her money
on lawyers, Monika had lost her court case for
defamation against Kathy Etchingham (Jimi's British
girlfriend). Right afterwards, on April 5th (Good
Friday), Monika allegedly committed suicide using the
exhaust gas of her car, taking to her grave the last
mysteries of Jimi's death. Kathy Etchingham had worked
over years to portray Monika in a bad light, creating
with Dee Mitchell fictitious interviews with the
ambulance attendants who found Jimi dead. They showed
how Monika was a liar and tried to convince Scotland
Yard investigators of her accountability. Monika
was brought to a point where she agreed to finally tell
what she knew and that's when she died, killed. The same
people who killed Hendrix killed his manager, Mike
Jeffery, making his airplane crash, and then they killed
Monika to prevent her from telling what she knew.
"The London apartment of Gerry Stickells, Jimi's
roadie, was located nearby Monika's flat. The night Jimi
died it was easy for the roadies to know where he was.
Stickells had been Jimi's shadow for four years, he had
him under control because their manager (Mike Jeffery)
always wanted to know where Hendrix was and what he did.
The roadies had a motive and opportunity to kill him.
Jimi was isolated, easy prey. I
have a theory. I believe that there was a deal
made in Seattle when Jimi was there in July 1970. The
Hendrix family clan saw animosity between Jimi and his
roadies, an agreement was made among them. Two months
before his death, Jimi had gone to Seattle
for his last concert there. It was well known that
his family had been pressuring him to sign a will. When
his relatives asked him to sign the will he said he
wouldn't sign it, called it a 'death sentence.' They
knew that was the last time Jimi wanted to see them. It
was then possible for them to exploit his death for
their own gain after Jimi's dad, Al Hendrix, was
assassinated by these same leeches."
Michael Fairchild
- RAI TV,
Italy, Oct. 17, 2011
[Much more of the RAI Italian TV interview exists
on video. Excerpts of the footage will appear in many
of the 30 movies currently in production at First
Century Press.]
Michael Fairchild &
Mitch Mitchell (Jimi's drummer)
THE CENSORING OF Michael Fairchild (sets the stage for sapien extinction...
"We didn't sell four million records last year
because I left [Jimi's record catalogue] the way it
was."
- Alan Douglas,
(Creative Director of the Jimi Hendrix Estate
Production Company) - Guitar World magazine
- July 1995
During seven years as the writer and consultant
for the Hendrix estate production company I achieved
the most visibility of the world's Hendrix experts.
My booklets included with 14 official Hendrix CDs,
his highest charting albums, are familiar to more
than six million people. Many of these people
dislike Alan Douglas.
"A lot of people are going to hate you because of
me. You're one of the bad guys. The collectors all
hate me, because I have control of the situation.
They all want to have that, just like I would
like you to have it if I'm not around. OK?"
- Alan
Douglas and Michael Fairchild - December 7,
1994
This is what Microsoft spent millions
on to stop, his intent is to especially censor and
suppress Rock Prophecy, which was to be the
next officially released project by the Hendrix
estate company. Paul Allen's deal with Jane Fujita,
after Jimi's father Al was assassinated, is to
control the marketing and publicity of Jimi from
behind the scenes. Allen pays his kept-lady Jane $7
million per year to secretely control the Hendrix
legacy. Foremost of Allen's concerns is to conceal
and obscure my involvement. He has the company
release extremely bad Hendrix recordings and then
uses his DreamWorks media contacts to "purchase"
enough copies to artificially cause the releases to
rise on CD charts. Their media empire payola is
behind favorable reviews for horrible Hendrix CDs
which aim to make bystanders conclude Jimi is
overrated and turn off the public to the Hendrix
name in general. Since Rock Prophecy is the
actual vision of Jimi's prediction, they aim to
destroy Jimi's reputation globally for all future
generations, until the asteroid hits and blows away
agriculture for our temporary civilization.
Centuries from now Rock Prophecy will be dug
out from the rubble to form the New World Religion,
one that condemns and detests the MicroSloth geek
creep and his evil Fujita beast: Jane
the Insane Dragon Lady.
"Al Hendrix will go to court to try to win back
the rights to his son's legacy - a legacy said to be
worth about $100 million. It will be an uphill
battle...Paul Allen, co-founder of Microsoft, and a
Hendrix fanatic whose planning a Museum for his idol
in Seattle, has been bankrolling Al Hendrix's suit,
spending some $5 million thus far...his motives may
not be entirely selfless...his attorney has
acknowledged to Newsweek that the
businessman is now negotiating a deal with Al
Hendrix. If Hendrix signs the deal - and if
he wins his suit - Allen's
nonprofit museum will be off to an
extraordinary start. The museum has sought exclusive
rights to exhibit Jimi Hendrix's name and likeness,
create and sell merchandise, mount interactive
displays, and open a theme restaurant. It has sought
these rights for 100 years for free. Hendrix could
refuse to sign such a deal, but it remains to be
seen if Allen will continue to foot his bills. Jimi
Hendrix died in London in September 1970...he did
not leave any will. Presumed to be the rightful
heir, Al Hendrix began selling off various pieces of
his sons estate. Hendrix sold rights to Jimi's
record catalog to a Panamanian tax shelter called
PMSA in 1974, and the rights to his son's likeness
wound up at a company called ARM in 1983. The rights
have since changed hands many times...He's named his
former lawyer Leo Branton Jr. in the
lawsuit...Branton produces many signed documents
containing passages the lawyer believes are quite
clear; 'Hendrix hereby sells and conveys to PMSA all
his right, title, and interest,' etc...some believe
Al Hendrix is simply kicking himself for having sold
off his songs legacy too early...there was little
reason to believe that Hendrix's music would rise
again. The marketplace was already awash in his
albums...and none were selling, but then...Warner
Bros. hired record producer Alan Douglas to oversee
the Jimi Hendrix catalog...old and new fans bought 3
million of his albums. More than a million Hendrix
records were sold last year...MCA bought the rights
to the Jimi Hendrix catalog for a staggering $75
million in 1993. Al Hendrix's lawsuit was born in
April of that year...no one really blames this
lawsuit on Al Hendrix...Al isn't behind this
lawsuit, Yale Lewis and Paul Allen are the real
culprits...Allen needs the rights for his museum,
and he's financing the lawsuit to get them. Allen's
lawyers insist that this is a charitable venture,
and that the legal fees will exceed the value of any
rights to come the museum's way."
- Newsweek
- January 16, 1995
PMicrosoft's media team fabricated this
scenario so as to suggest their main motive is to get
rights to Jimi's music and image for his museam, now
called the Experience Music
Project (EMP) in Seattle. But this is a smoke
screen, he merely pays Jane Fujita $7 million per
year to do what he says. His real motive and
intentions were to prevent me from becoming the
director of the Hendrix production company, and the
only way he could do that was to offer Al Hendrix
millions of dollars to put his name on a bogus
lawsuit, a case that had no merit, a case that
everyone involved with knew would be settled out of
court, with terms that exiled me from the company
and prevents that company from having further
involvement with me. Mr. Allen then instructed his
media empire, including DreamWorks Movie Studios, to
produce media
"treatments" of the asteroid story I'd written
about. A series of their movies and reports
for mass media publications followed, and continue
today, asteroid movies and news now included on this
website's Timeline,
while a network of Hendrix collectors, jealous of my
work and insights, cheer and support Mr. Allen's
persecution of me. After my book, Rock Prophecy,
was published in 1999, Mr. Allen continued his
obsessive reactions to my insights by producing
"rebuttals" to the book in the form of a series of
PBS specials about Evolution
and The Blues.
"Used book" stores and websites were flooded with
their pirated counterfeit forgery imitation copies
of Rock Prophecy to prevent any profits from
going to the publisher of the book.
So it is this psychological profile, as well as
the actual Hendrix asteroid vision (including media
and public reactions to it), that have become the
central focus for movies and multi media being
produced today. An immense number of lessons are
revealed through this story, foremost being that of
"Retarded History" -
a pattern of human behavior inspired by our culture
of inequality, which results in our inability to
build defense against asteroids in time to save our
planet from impacts. This is why the DreamWorks Team
paid for and arranged artificial complaints against
the term "retarded" from parents of developmentally
challenged kids, and led a campaign to have
President Obama sign "Rosa's Law" in 2010 to ban use
of the word "retarded." DreamWorks' media machine
has created a mass fad on campuses where today it's
impossible to even mention "Retarded History"
without threats of violence.
The "Hendrix-Microsoft lawsuit" was the deal with
evil that sealed the fate of civilization and set
the stage for the Murder of Earth...
.
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Dominators of the Idiocracy Follow Their Pig Into Oblivion: