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October 10, 2002:

Rollingstone.com publishes this report titled, "Hendrix Family Feud Rages - Jimi's brother, stepsister fight over estate":

(Rolling Stone:) The rights to Jimi Hendrix's music were returned to his family seven years ago, prompting fans to believe that the plundering of his recorded legacy would end.

(NOTE: The so-called "Hendrix family" (aka Jane Fujita) had to PAY HER WAY out of a legitimate, legally binding contact with the Hendrix production company, which I was to be the next director of. This "family" PAID tens of millions of dollars to settle a frivilous lawsuit instigated by Microsoft co-founder Paul Allen. The lawsuit was designed to stop me from becoming director of the Hendrix company and silence my efforts to publicize Jimi's prediction of an asteroid impact on Earth. Far from "plundering" Jimi's recorded legacy, the official CDs that I put together with the Hendrix company remain the highest charting Hendrix releases in the past 30 years. The Exhibition I produced, along with many other official projects, were the catalysts for a worldwide resurgence of interest in Jimi. Since my exile from the company as a result of Paul Allen's lawsuit money, Jane Fujita has driven the Hendrix company into the ground to a point where little interest exists anywhere in the world for any Hendrix products she has "produced.")

(Rolling Stone:) Brother Leon Hendrix, sued the estate on August 16th, claiming that he was denied his rightful inheritance and seeking to wrest control of the estate from Jane Fujita, forty-one, who is president of Experience Hendrix, the company that owns and controls Jimi Hendrix's music and image. And on October 9th, Leon slapped Jane with an additional defamation suit, as she has allegedly claimed that Leon and Jimi were only half brothers. As refutation, Leon pulls out a copy of his birth certificate listing Al as his father. "He was my dad," Leon says. "And he never said or thought any different until Jane put that into his head."

She is an adopted stepsister with no blood relationship to any member of the Hendrix family. "Jane is family in the legal sense," said attorney David Huber, who represents Leon. "But actual blood relatives deserve a share of this money."

(NOTE: The 1993 lawsuit paid for by Paul Allen sought to cancel the contract Jimi's father, Al Hendrix, signed with the Hendrix production company I worked for. The lawsuit claimed that Jimi's father was incapable of understanding the contract he signed, that he had the brain of a grade schooler. But once the lawsuit was settled out of court, Jimi's supposedly "illiterate" father went on to write a book that was published. And if Al was so feeble minded, as his attorneys claimed, why should his real son, Leon, be subjected to Al's will? The will grants control of the Hendrix legacy to a Japanese American woman (Jane) and leaves nothing for Jimi's real brother, Leon. The will itself, in leaving control to Jane, is the most credible evidence that Jimi's father was either delusional, or brainwashed by her, or both. As Leon said, "That wasn't my father's will. Somebody else wrote that will."

Paul Allen arranged to have Jane given control because she agreed to remove my name from all Hendrix products that I worked on and made successes of. This is what Paul Allen's aim was all along. After I was silenced he used his media empire to "steal" the asteroid story and persuade all media to conceal any news about the book Rock Prophecy. As a result of Al Hendix's "retarded" will, the vision I carry now remains unknown to the audience of millions I wrote for during the seven years I was employed by the Hendrix company. And after seven years Rock Prophecy remains concealed by media.)

(Rolling Stone:) From a fan's standpoint, Jane Fujita gets decidedly mixed reviews. One of the triumphs of her tenure is the four-disc box set of rare material released in 2000. "But aside from putting out an occasional disc for collectors, the fans aren't too happy with her. Instead of new music we get things like golf balls, furniture, boxer shorts. It's pretty embarrassing."

(NOTE: The "box set" that her company put out is a watered down re-hash of the Hendrix music I had worked to assemble for the box set project in the years prior to Paul Allen's lawsuit. Instead, the company now run by Jane repeatedly releases uninteresting junk that is routinely ignored by both the media and the public.)

(Rolling Stone:) Noel Redding (Jimi's bassist) says he helped Jane gain control of the estate from previous owners Alan Douglas and Leo Branton with the understanding that he would receive back royalties. Seven years later, Redding is still waiting, and he adds that he did not receive a penny for the box set: "I got a letter saying that I wasn't getting any money, and then they sent me a copy of the box set C.O.D."

(NOTE: Alan Douglas and Leo Branton were never "OWNERS" of any Hendrix music. They worked as agents and producers for the people whom Jimi's father hired to run the official Hendrix production company that I worked for. Media like Rolling Stone, which is a "beneficiary" of Paul Allen's "influence", uses Leo Branton and Alan Douglas as scapegoat "bad guys" because they're among those Paul Allen's lawsuit money targeted in order to stop me from becoming director of the company.)

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